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View Plans“ ”She lived with the doctor on Via Po, in a gloomy, dark apartment, barely warmed in winter by just a small Franklin stove, and she no longer threw out anything, because everything might eventually come in handy: not even the cheese rinds or the foil on chocolates, with which she made silver balls to be sent to missions to “free a little black boy.
Primo Levi (31 July 1919 – 11 April 1987) was an Italian chemist and author of memoirs, short stories, poems and novels. He joined an anti-Fascist group at the start of the Second World War but was captured and taken to the German concentration camp at Auschwitz. Levi survived the Holocaust and returned to Italy.
Biography information from Wikiquote
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View PlansSooner or later in life everyone discovers that perfect happiness is unrealizable, but there are few who pause to consider the antithesis: that perfect unhappiness is equally unattainable. The obstacles preventing the realization of both these extreme states are of the same nature: they derive from our human condition which is opposed to everything infinite. Our ever-insufficient knowledge of the future opposes it: and this is called, in the one instance, hope, and in the other, uncertainty of the following day. The certainty of death opposes it: for it places a limit on every joy, but also on every grief. The inevitable material cares oppose it: for as they poison every lasting happiness, they equally assiduously distract us from our misfortunes and make our consciousness of them intermittent and hence supportable.
Similar to the way we are led along in life by the endless pursuits of pleasures, we are led along, even saved by the endless revelation of pain. This in itself may not be a happy thought, but it is a reminder of how relative, always, are our perceptions of misery and joy.
This cell belongs to a brain, and it is my brain, the brain of me who is writing; and the cell in question, and within it the atom in question, is in charge of my writing, in a gigantic minuscule game which nobody has yet described. It is that which at this instant, issuing out of a labyrinthine tangle of yeses and nos, makes my hand run along a certain path on the paper, mark it with these volutes that are signs: a double snap, up and down, between two levels of energy, guides this hand of mine to impress on the paper this dot, here, this one.
Perhaps memory is like a bucket; if you want to cram into it more fruit than it will hold, the fruit is crushed.