What a thing of fantasy a woman may become after dusk.

The heavy black she had worn for years was gone; her dress was of turquoise-colored silk, bright and soft as the evening sky. It belled out full from her hips, and all the skirt was embroidered with thin silver threads and seed pearls and tiny crumbs of crystal, so that it glittered softly, like rain in April. She looked at the magician, speechless. “Do you like it?” “Where — ” “It’s like a gown I saw a princess wear once, at the Feast of Sun-return in the New Palace in Havnor,” he said, looking at it with satisfaction. “You told me to show you something worth seeing. I show you yourself.

Night came walking through Egypt swishing her black dress.

O for the night that was ending, for the sleep and the wakefulness, the toughness and tenderness mixed, the sweet temper, the safety in darkness. Would such a night ever return?

<b>If Death Is Kind</b>

Perhaps if Death is kind, and there can be returning,
We will come back to earth some fragrant night,
And take these lanes to find the sea, and bending
Breathe the same honeysuckle, low and white.

We will come down at night to these resounding beaches
And the long gentle thunder of the sea,
Here for a single hour in the wide starlight
We shall be happy, for the dead are free.

Flowers, cold from the dew,
And autumn's approaching breath,
I pluck for the warm, luxuriant braids,
Which haven't faded yet.

In their nights, fragrantly resinous,
Entwined with delightful mystery,
They will breathe in her springlike
Extraordinary beauty.

But in a whirlwind of sound and fire,
From her shing head they will flutter
And fall—and before her
They will die, faintly fragrant still.

And, impelled by faithful longing,
My obedient gaze will feast upon them—
With a reverent hand,
Love will gather their rotting remains.

How the unforgettable faces of dusk would blend to her, the myriad footsteps, a thousand overtures, would blend to her footsteps; and there would be more drunkenness than wine in the softness of her eyes on his.

If the day is done, if birds sing no more, if the wind has flagged tired, then draw the veil of darkness thick upon me, even as thou hast wrapt the earth with the coverlet of sleep and tenderly closed the petals of the drooping lotus at dusk. From the traveller, whose sack of provisions is empty before the voyage is ended, whose garment is torn and dustladen, whose strength is exhausted, remove shame and poverty, and renew his life like a flower under the cover of thy kindly night.

So, talking with my first wife,
At the dark end of evening, when she leaned
And smiled at me, with blue eyes weaving webs
Of finest fire, revolving me in scarlet, — Calling to mind remote and small successions
Of countless other evenings ending so, — I smiled, and met her kiss, and wished her dead

"Quasida of the Woman Prone"

To see you naked is to remember the Earth,
the smooth Earth, clean of horses,
the Earth without reeds, pure form,
closed to the future, confine of silver.

To see you naked is to understand the desire
of rain that looks for the delicate waist,
or the fever of the broad-faced sea
that cannot find the light of its cheek.

Blood will ring through the bedrooms
and will come with flaming swords,
but you will not know the hiding places
of the violet or the heart of the toad.

Your womb is a struggle of roots.
Your lips are a dawn without contour.
Under the lukewarm roses of the bed
the dead men moan, awaiting their return.

As the dawn loves the sunlight that must cease
Ere dawn again may rise and pass in peace;
Must die that she being dead may live again,
To be by his new rising nearly slain.
So rolls the great wheel of the great world round,
And no change in it and no fault is found,
And no true life of perdurable breath,
And surely no irrevocable death.
Day after day night comes that day may break,
And day comes back for night’s reiterate sake.
Each into each dies, each of each is born:
Day past is night, shall night past not be morn?
Out of this moonless and faint-hearted night
That love yet lives in, shall there not be light?
Light strong as love, that love may live in yet?
Alas, but how shall foolish hope forget
How all these loving things that kill and die
Meet not but for a breath’s space and pass by?
Night is kissed once of dawn and dies, and day
But touches twilight and is rapt away.
So may my love and her love meet once more,
And meeting be divided as of yore.
Yea, surely as the day-star loves the sun
And when he hath risen is utterly undone,
So is my love of her and hers of me — And its most sweetness bitter as the sea.

There were just all those evenings we sat together and it doesn't seem possible that it will never be again. It was like we were the only two people in the world. No one will ever understand how happy we were...I could sit there all night watching her, just the shape of her head and the way the hair fell from it with a special curve, so graceful it was, like the shape of a swallow-tail. It was like a veil or a cloud, it would lie like silk strands all untidy and loose but lovely over her shoulders, I wish I had words to describe it like a poet would or an artist. She had a way of throwing it back when it had fallen too much forward, it was just a simple natural movement. Sometimes I wanted to say to her, please do it again, please let your hair fall forward and toss it back. Only of course it would have been stupid. Everything she did was delicate like that. Just turning a page. Standing up or sitting down, drinking, smoking, anything. Even when she did things considered ugly, like yawning or stretching, she made it seem pretty. The truth was she couldn't do ugly things. She was too beautiful.

There is the staircase,
there is the sun.
There is the kitchen,
the plate with toast and strawberry jam,
your subterfuge,
your ordinary mirage.

You stand red-handed.
You want to wash yourself in earth, in rocks and grass

What are you supposed to do
with all this loss?

In the daylight we know
what's gone is gone,
but at night it's different.
Nothing gets finished,
not dying, not mourning;
the dead repeat themselves, like clumsy drunks
lurching sideways through the doors
we open to them in sleep;
these slurred guests, never entirely welcome,
even those we have loved the most,
especially those we have loved the most,
returning from where we shoved them
away too quickly:
from under the ground, from under the water,
they clutch at us, they clutch at us,
we won't let go.

ARRIVAL And yet one arrives somehow, finds himself loosening the hooks of her dress in a strange bedroom — feels the autumn dropping its silk and linen leaves about her ankles. The tawdry veined body emerges twisted upon itself like a winter wind...!