"Just so with the movie, which is why bad filmmaking can "succeed." It is our nature to want to make sense of these events — we can't help it. The human mind would make sense of them even if they were a random juxtaposition."

The goddam movies. They can ruin you. I'm not kidding

In thinking about 'depressing movies,' many people don't realize that all bad movies are depressing, and no good movies are.

All great art has madness, and quite a lot of bad art has it, too.

<i>Ice Station Zebra</i> is terrible in such a familiar way that at some level it's <i>pleasant</i>. We learn to settle for so little, we moviegoers.

A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.

It is said that the human brain divides its functions. The right brain is devoted to sensory impressions, emotions, colors, music. The left brain deals with abstract thought, logic, philosophy, analysis.

My definition of a great movie: While you’re watching it, it engages your right brain. When it’s over, it engages your left brain.

I don’t like the idea of “understanding” a film. I don’t believe that rational understanding is an essential element in the reception of any work of art. Either a film has something to say to you or it hasn’t. If you are moved by it, you don’t need it explained to you. If not, no explanation can make you moved by it.

One of my delights in these books, on the other hand, has been to include movies not often cited as “great” — some because they are dismissed as merely popular (Jaws, Raiders of the Lost Ark), some because they are frankly entertainments (Planes, Trains and Automobiles, Rififi), some because they are too obscure (The Fall of the House of Usher, Stroszek). We go to different movies for different reasons, and greatness comes in many forms.

It doesn't do any good to say, 'This is what it means.' When you are spoon fed a film, people instantly know what it is. I like films that leave room to dream.

To me, bad taste is what entertainment is all about. If someone vomits watching one of my films, it's like getting a standing ovation. But one must remember that there is such a thing as good bad taste and bad bad taste. it's easy to disgust someone; I could make a ninety-minute film of people getting their limbs hacked off, but this would only be bad bad taste and not very stylish or original. To understand bad taste one must have very good taste. Good bad taste can be creatively nauseating but must, at the same time, appeal to the especially twisted sense of humor, which is anything but universal.

Make bad art.

This was such bad writing that it was good.

Bad art teaches you as much as good art, maybe more.