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"If there's anything I dislike it's the violin", she answered. "Why one should want to hear anyone scrape the hairs of a horse's tail against the guts of a dead cat is something I shall never understand."

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"Love..." she repeated slowly, in a musing voice, and suddenly, while disentangling the lace, she added: "The reason I dislike this word because it means such a great deal to me, far more than you can understand."

Now I shall speak of evil as none has
Spoken before. I loathe such things as jazz;
The white-hosed moron torturing a black
Bull, rayed with red; abstractist bric-a-brac;
Primitivist folk-masks; progressive schools;
Music in supermarkets; swimming pools;
Brutes, bores, class-conscious Philistines, Freud, Marx, Fake thinkers, puffed-up poets, frauds, and sharks.

"But you don't hold yourself superior to all the judges of music?" she protested.
"No, no, not for a moment. I merely maintain my right as an individual. I have just been telling you what I think, in order to explain why the elephantine gambols of Madame Tetralani spoil the orchestra for me. The world's judges of music may all be right. But I am I, and I won't subordinate my taste to the unanimous judgment of mankind. If I don't like a thing, I don't like it, that's all; and there is no reason under the sun why I should ape a liking for it just because the majority of my fellow-creatures like it, or make believe they like it. I can't follow the fashions in the things I like or dislike."

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I, too, dislike it: there are things that are important beyond
all this fiddle.
Reading it, however, with a perfect contempt for it, one
discovers in
it after all, a place for the genuine.

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