I don’t need to rush, for there is no point in that, but I must carry on working in complete calm and serenity, as regularly and with as much concentration as possible, as much to the point as possible. The world concerns me only in so far as I owe it certain debt and duty, so to speak, because I have walked this earth for 30 years, and out of gratitude would like to leave some memento in the form of drawings and paintings - not made to please this school or that, but to express a genuine human feeling.

Dünyanın beni ilgilendiren tek bir yanı var: Otuz yıl üstünde yaşadığım bu toprağa karşı duyduğum belirli bir borç ve yüklendiğime inandığım bir görev; duyduğum bu şükran borcuna karşılık desen ya da resim olarak birkaç andaç bırakmak istiyorum geride -birtakım sanat akımlarının hoşuna girmek için değil, gerçek, içten, insancıl duyguları dile getirmek için. İşte, yaşamdaki amacım bu.

I have desired, like every artist, to create a little world out of the beautiful, pleasant, and significant things of this marred and clumsy world, and to show in a vision something of the face of Ireland to any of my own people who would look where I bid them. I have therefore
written down accurately and candidly much that I have heard and seen,
and, except by way of commentary, nothing that I have merely imagined.

The only obligation I recognize in this world is my duty to my immediate family

I, a product of the New Frontier and Great Society, honestly believed that the world pretty much owed me a living — all I had to do was wait around in order to live better than my parents.

All that we can say is that everything is arranged in this life as though we entered it carrying the burden of obligations contracted in a former life; there is no reason inherent in the conditions of life on this earth that can make us consider ourselves obliged to do good, to be fastidious, to be polite even, nor make the talented artist consider himself obliged to begin over again a score of times a piece of work the admiration aroused by which will matter little to his body devoured by worms, like the patch of yellow wall painted with so much knowledge and skill by an artist who must for ever remain unknown and is barely identified under the name Vermeer. All these obligations which have not their sanction in our present life seem to belong to a different world, founded upon kindness, scrupulosity, self-sacrifice, a world entirely different from this, which we leave in order to be born into this world, before perhaps returning to the other to live once again beneath the sway of those unknown laws which we have obeyed because we bore their precepts in our hearts, knowing not whose hand had traced them there — those laws to which every profound work of the intellect brings us nearer and which are invisible only — and still! — to fools.

My main concern is with the world order

I wanted to lead my students to another world, one where people value writing and art more than war, and yet I knew and I know that the only thing that matters is to make that world here. There is no other world. This is the only world we are in. This revisable country, so difficult to change, to easily changed.

It may be important to great thinkers to examine the world, to explain and despise it. But I think it is only important to love the world, not to despise it, not for us to hate each other, but to be able to regard the world and ourselves and all beings with love, admiration and respect.

READER,

You have here an honest book; it does at the outset forewarn You that, in contriving the same, I have proposed to myself no other than a domestic and private end: I have had no consideration at all either to Your service or to my glory.
My powers are not capable of any such design.
I have dedicated it to the particular commodity of my kinsfolk and friends, so that, having lost me (which they must do shortly), they may therein recover some traits of my conditions and humours, and by that means preserve more whole, and more life-like, the knowledge they had of me.
Had my intention been to seek the world's favour, I should surely have adorned myself with borrowed beauties: I desire therein to be viewed as I appear in mine own genuine, simple, and ordinary manner, without study and artifice: for it is myself I paint.
My defects are therein to be read to the life, and any imperfections and my natural form, so far as public reverence hath permitted me. If I had lived among those nations, which (they say) yet dwell under the sweet liberty of nature's primitive laws, I assure thee I would most willingly have painted myself quite fully and quite naked.
Thus, reader, myself am the matter of my book: there's no reason You should employ Your leisure about so frivolous and vain a subject.

Therefore farewell.

I wasn't going to go deeper into the darkness for anybody. I was already living in the darkness. My family was my light and I was going to protect that light at all cost. That was where my dedication was, first, last and everything in-between. What did I owe the rest of the world? Nothing. Not a damn thing.

Wherever we are, whatever we’re doing and herever we are going, we owe it to ourselves, to our art, to the world to do it well.

i can only

give to you

what i have already

given to myself

i can only

understand

the world as much as

i understand myself

"NOT to my contemporaries, not to my compatriots but to
mankind I commit my now completed work in the confidence that it will not be without value for them, even
if this should be late recognised, as is commonly the lot
of what is good. For it cannot have been for the passing
generation, engrossed with the delusion of the moment,
that my mind, almost against my will, has uninterruptedly
stuck to its work through the course of a long life.

preface to the second edition of "the world as will and representation