It [folk music] exceeded all human understanding, and if it called out to you, you could disappear and be sucked into it. I felt right at home in this mythical realm made up not with individuals so much as archetypes, vividly drawn archetypes of humanity, metaphysical in shape, each rugged soul filled with natural knowing and inner wisdom. Each demanding a degree of respect. I could believe in the full spectrum of it and sing about it. It was so real, so more true to life than life itself. It was life magnified.
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Then the singing enveloped me. It was furry and resonant, coming from everyone's very heart. There was no sense of performance or judgment, only that the music was breath and food.
Like all other music, it breathed passion and pathos, and emotions high or tender, in a tongue native to the human heart, wherever educated.
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Mythology is the song. It is the song of the imagination, inspired by the energies of the body.
The music was more than music- at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous. Those powerful moments of true knowledge that we have to paper over with daily life. The music tapped the back of our terrors, too. Things we'd lived through and didn't want to ever repeat. Shredded imaginings, unadmitted longings, fear and also surprisingly pleasures. No, we can't live at that pitch. But every so often something shatters like ice and we are in the river of our existence. We are aware. And this realization was in the music, somehow, or in the way Shamengwa played it.
Music is what tell us that the human race is greater than we realize.
But the character of the music emphasized the tale as allegory — humorous, poignant, humane allegory — disclosing the metamorphosis of life itself, in which man moves from confident inexperience through the bitterness of experience, toward the rueful wisdom of self-knowledge.
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Music in the soul can be heard by the universe.
And all the voices, all the goals, all the yearnings, all the sorrows, all the pleasures, all the good and evil, all of them together was the world. All of them together was the stream of events, the music of life.
Everybody of course, was like this, - depth beyond depth, a universe chorally singing, incalculable, obeying tremendous laws, chemical or divine, of which it was able to give its own consciousness not the faintest inkling… He brushed the dark hair of this universe. He looked into its tranquil black-pooled eyes. Its mouth was humorous and bitter. And this universe would go out and talk inanely to other universes – talking only with some strange minute fraction of its identity, like a vast sea leaving on the shore, for all mention of itself, a single white pebble, meaningless. A universe that contained everything – all things – yet said only one word: ‘I.’ A music, an infinite symphony, beautifully and majestically conducting itself there in the darkness, but remaining for ever unread and unheard.
Music is a higher revelation than all wisdom and philosophy. Music is the electrical soil in which the spirit lives, thinks and invents.
The inexpressible depth of music, so easy to understand and yet so inexplicable, is due to the fact that it reproduces all the emotions of our innermost being, but entirely without reality and remote from its pain… Music expresses only the quintessence of life and its events, never these themselves.
Music is so easy to explain, yet so inexplicable, as it reproduces all the emotions of our inner being without reality, remote from pain.
Joy, sorrow, tears, lamentation, laughter — to all these music gives voice, but in such a way that we are transported from the world of unrest to a world of peace, and see reality in a new way, as if we were sitting by a mountain lake and contemplating hills and woods and clouds in the tranquil and fathomless water.
Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.
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