"It's all a great mystery. For you, who love the little prince, too. As for me, nothing in the universe can be the same if somewhere, no one knows where, a sheep we never saw has or has not eaten a rose....
Look up at the sky. Ask yourself, "Has the sheep eaten the flower or not?" And you'll see how everything changes....
And no grown-up will ever understand how such a thing could be so important!"

Man is sometimes extraordinarily, passionately, in love with suffering...

To answer the question, what makes a tragedy, is to answer the question wherein lies the essential significance of life, what the dignity of humanity depends upon in the last analysis. Here the tragedians speak to us with no uncertain voice. The great tragedies themselves offer the solution to the problem they propound. It is by our power to suffer, above all, that we are of more value than the sparrows. Endow them with a greater or as great a potentiality of pain and our foremost place in the world would no longer be undisputed. Deep down, when we search out the reason for our conviction of the transcendent worth of each human being, we know that it is because of the possibility that each can suffer so terribly. What do outside trappings matter, Zenith or Elsinore? Tragedy’s preoccupation is with suffering. But,

Suffering is nothing by itself. But suffering shared with the passion of Christ is a wonderful gift, the most beautiful gift, a token of love.

There is no greater agony than bearing an untold story inside you.

Misery is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, — as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? — from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.

There must, whether the gods see it or not, be something great in the mortal soul. For suffering, it seems, is infinite, and our capacity without limit.

Suffering by itself has no meaning...But suffering shared with the suffering of Christ has a tremendous meaning...Suffering is really the most beautiful way of growing in holiness to be like Jesus.

Maybe your misery is the weapon you brandish in your hatred for those who rose upward while you waited and sank. Maybe your misery is your attempt to prove the world's injustice, instead of the evidence of your own sin, your missing of the mark, your conscious refusal to strive and live. Maybe your willingness to suffer in failure is inexhaustible, given what you use that suffering to prove. Maybe it's your revenge on Being. How exactly should I befriend you when you're in such a place? How could I?

There is no greater sorrow Than to remember a happy time when you are In misery, and that, your Teacher knows.

Suffering is a gift. In it is hidden mercy.

I was in misery, and misery is the state of every soul overcome by friendship with mortal things and lacerated when they are lost. Then the soul becomes aware of the misery which is its actual condition even before it loses them.

In the midst of all his sadness, Pierre felt deep compassion penetrate his heart. He was upset by the thought that mankind should be so wretched, reduced to such a state of woe, so bare, so weak, so utterly forsaken, that it renounced its own reason to place the one sole possibility of happiness in the hallucinatory intoxication of dreams. Tears once more filled his eyes; he wept for himself and for others, for all the poor tortured beings who feel a need of stupefying and numbing their pains in order to escape from the realities of the world.

And the supreme beauty is that of tragedy. The consciousness that everything passes away, that we ourselves pass away, and that everything that is ours and everything that environs us passes away, fills us with anguish, and this anguish itself reveals to us the consolation of that which does not pass away, of the eternal, of the beautiful.