Despite dreaming about making a living through his art, the real potential of becoming An Artist Nobody Likes was far, far scarier than remaining An Artist Nobody’s Heard Of. At least he was comfortable with and used to being An Artist Nobody’s Heard Of.
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The worst thing that being an artist could do to you would be that it would make you slightly unhappy constantly.
real artists can survive the most hostile environments and yet find their true calling like homing pigeons. That’s hogwash. Many real artists bear children too early or have too many, are too poor or too far removed culturally or monetarily from artistic opportunity to become the artists they really are.
America is no place for an artist: to be an artist is to be a moral leper, an economic misfit, a social liability. A corn-fed hog enjoys a better life than a creative writer, painter or musician. To be a rabbit is better still.
A little artist has all the tragic unhappiness and the sorrows of a great artist and he is not a great artist.
The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.
To be an artist is to fail, as no other dare to fail... failure is his world and the shrink from it desertion
Like any artist without an art form, she became dangerous.
(...) never play to the gallery, but you never learn that until much later on, I think. Never work for other people. Always remember that the reason that you initially started working was that there was something inside yourself that you felt that if you could manifest it in some way, you would understand more about yourself and how you coexist with the rest of society. I think it's terribly dangerous for an artist to fulfill other people's expectations. I think they generally produce their worst work when they do that.
In an artist's life, death is perhaps not the most difficult thing.
The artist cannot look to others to validate his efforts or his calling. If you don't believe me, ask Van Gogh, who produced masterpiece after masterpiece and never found a buyer in his whole life.
As a precaution against boredom, my bitter enemy, it would have suited me to be a great, but unknown artist, using my talent only for the benefit of my solitude.
The true artist is not proud, he unfortunately sees that art has no limits; he feels darkly how far he is from the goal; and though he may be admired by others, he is sad not to have reached that point to which his better genius only appears as a distant, guiding sun. I would, perhaps, rather come to you and your people, than to many rich folk who display inward poverty.
The working artist will not tolerate trouble in her life because she knows trouble prevents her from doing her work. The working artist banishes from her world all sources of trouble. She harnesses the urge for trouble and transforms it in her work.
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View PlansLiving life as an artist is a practice. You are either engaging in the practice or you’re not. It makes no sense to say you’re not good at it. It’s like saying, “I’m not good at being a monk.” You are either living as a monk or you’re not. We tend to think of the artist’s work as the output. The real work of the artist is a way of being in the world.
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