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Our lives are like a house. Some people are allowed on the lawn, some onto the porch, some get into the vestibule or kitchen. The better friends are invited deeper into our home, into our living room.

We have a lot of books in our house. They are our primary decorative motif-books in piles and on the coffee table, framed book covers, books sorted into stacks on every available surface, and of course books on shelves along most walls. Besides the visible books, there are books waiting in the wings, the basement books, the garage books, the storage locker books...They function as furniture, they prop up sagging fixtures and disguised by quilts function as tables...I can't imagine a home without an overflow of books. The point of books is to have way too many but to always feel you never have enough, or the right one at the right moment, but then sometimes to find you'd longed to fall asleep reading the Aspern Papers, and there it is.

It [Badger's House] seemed a place where heroes could fitly feast after victory, where weary harvesters could line up in scores along the table and keep their Harvest House with mirth and song, or where two or three friends of simple tastes could sit about as they pleased and eat and smoke and talk in comfort and contentment. The ruddy brick floor smiled up at the smoky ceiling; the oaken settles, shiny with long wear, exchanged cheerful glaces with each other; plates of the dresser grinned at pots on the shelf, and the merry firelight flickered and played over everything without distinction.

our house is our corner of the world. As has often been said, it is our first universe, a real cosmos in every sense of the word. If we look at it intimately, the humblest dwelling has beauty. Authors of books on “the humble home” often mention this feature of the poetics of space. But this mention is much too succinct. Finding little to describe in the humble home, they spend little time there; so they describe it as it actually is, without really experiencing its primitiveness, a primitiveness which belongs to all, rich and poor alike, if they are willing to dream. But our adult life is so dispossessed of the essential benefits, its anthropocosmic ties have become so slack, that we do not feel their first attachment in the universe of the house.

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I do not live in you, I bear
my house inside me, everywhere

until your winters grow more kind
by the dancing firelight of mind

where knobs of brass do not exist
whose doors dissolve in tenderness

House that lets in, at last, those fears
that are its guests, to sit on chairs

feasts on their human faces, and
takes pity simply by the hand

shows her her room, and feels the hum
of wood and brick becoming home.

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