In life man commits himself and draws his own portrait, outside of which there is nothing. No doubt this thought may seem harsh to someone who has not made a success of his life. But on the other hand, it helps people to understand that reality alone counts, and that dreams, expectations and hopes only serve to define a man as a broken dream, aborted hopes, and futile expectations.
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Un homme s’engage dans sa vie, dessine sa figure, et en dehors de cette figure, il n’y a rien. Évidemment, cette pensée peut paraître dure à quelqu’un qui n’a pas réussi sa vie. Mais d’autre part, elle dispose les gens à comprendre que seule compte la réalité, que les rêves, les attentes, les espoirs permettent seulement de définir un homme comme rêvé déçu , comme espoir avorté, comme attente inutile.
Not only is man what he conceives himself to be, but he is also only what he wills himself to be after this thrust toward existence. Man is nothing else but what he makes of himself.
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Man is nothing else but what he makes of himself.
What a man thinks of himself, that it is which determines, or rather indicates, his fate.
Each man's life represents a road toward himself, an attempt at such a road, the intimation of a path... But each of us - experiments of the depths - strives toward his own destiny. We can understand one another; but each of us is able to interpret himself to himself alone.
Each man's life represents a road toward himself, an attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself.
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Is a man truly what he see himself to be?'
'Only if what he sees is true.
Man is not only that which he conceives himself to be, but that which he wills himself to be...
A man’s fate is a man’s fate and life is but an illusion.
The life of a man is like a game of chess, which he plays according to his art.
A man seeks his own destiny and no other, said the judge. Wil or nill. Any man who could discover his own fate and elect therefore some opposite course could only come at last to that selfsame reckoning at the same appointed time, for each man's destiny is as large as the world he inhabits and contains within it all opposites as well. The desert upon which so many have been broken is vast and calls for largeness of heart but it is also ultimately empty. It is hard, it is barren. Its very nature is stone.
The way in which a man accepts his fate and all the suffering it entails, the way in which he takes up his cross, gives him ample opportunity — even under the most diffcult circumstances — to add a deeper meaning to his life. It may remain brave, dignified and unselfish. Or in the bitter fight for self-preservation he may forget his human dignity and become no more than an animal. Here lies the chance for a man either to make use of or to forgo the opportunities of attaining the moral values that a diffcult situation may afford him. And this decides whether he is worthy of his sufferings or not.
A human being is not one thing among others; things determine each other, but man is ultimately self-determining. What he becomes — within the limits of endowment and environment — he has made out of himself. In the concentration camps, for example, in this living laboratory and on this testing ground, we watched and witnessed some of our comrades behave like swine while others behaved like saints. Man has both potentialities within himself; which one is actualized depends on decisions but not on conditions.
When we are really honest with ourselves we must admit our lives are all that really belong to us. So it is how we use our lives that determines the kind of men we are.
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An honest self-portrait is extremely rare because a man who has reached the degree of self-consciousness presupposed by the desire to paint his own portrait has almost always also developed an ego-consciousness which paints himself painting himself, and introduces artificial highlights and dramatic shadows.
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