Writing a page a day doesn't seem like much, but do it for 365 days and you have enough to fill a novel.

"It must take a lot of self-discipline,' she said.

'Oh, I don't know. I don't have much.' He felt himself about to say again, and unable to resist saying, that 'Dumas, I think it was Dumas, some terrifically prolific Frenchman, said that writing novels is a simple matter - if you write one page a day, you'll write one novel a year, two pages a day, two novels a year, three pages, three novels, and so on. And how long does it take to cover a page with writing? Twenty minutes? An hour? So you see. Very easy really.'

'I don't know,' she said, laughing. 'I can't even bring myself to write a letter.'

'Oh, now that's hard.'
("Novelty")"

I had got this far, and was thinking of what to say next, and as my habit is, I was pricking the paper idly with my pen. And I thought how, between one dip of the pen and the next, time goes on, and I hurry, drive myself, and speed toward death. We are always dying. I while I write, you while you read, and others while they listen or stop their ears, they are all dying.

He carried a pencil that put a camera to shame.

When NASA started sending up astronauts, they discovered that ballpoint pens don’t work in zero gravity. So they spent twelve million dollars and more than a decade developing a pen that writes under any condition, on almost every surface. The Russians used a pencil.

Though he would sometimes not touch a book for a week, he generally spent part of each day in reading…if he sat in the library an hour, he would have half a dozen volumes around him, on the table, on chairs and on the floor. He seemed to read a few pages here and a few pages there, and pass from place to place, from volume to volume…sometimes (though very rarely) he would get sufficiently interested in a volume to read it all.

This is the way in which he (poet) did his work. He used to go out with a pencil and a tablet and note what struck him...and make a picture out of it...But Nature does not allow an inventory to be made of her charms! He should have left his pencil behind, and gone forth in a meditative spirit; and, on a later day, he should have embodied in verse not all that he had noted but what he best remembered of the scene; and he would have then presented us with its soul, and not with the mere visual aspect of it.

"Oh God how subtle he would have to be, how cunning... No paragraph, no phrase even of the thousands the book must contain could strike a discordant note, be less than fully imagined, an entire novel's worth of thought would have to be expended on each one. His attention had only to lapse for a moment, between preposition and object, colophon and chapter heading, for dead spots to appear like gangrene that would rot the whole. Silkworms didn't work as finely or as patiently as he must, and yet boldness was all, the large stroke, the end contained in and prophesied by the beginning, the stains of his clouds infinitely various but all signifying sunrise. Unity in diversity, all that guff. An enormous weariness flew over him. The trouble with drink, he had long known, wasn't that it started up these large things but that it belittled the awful difficulties of their execution. ("Novelty")"

He turned the pages in steady progression, though now and then he would seem to linger upon one page, one line, perhaps one word. He would not look up then. He would not move, apparently arrested and held immobile by a single word which had perhaps not yet impacted, his whole being suspended by the single trivial combination of letters in quiet and sunny space, so that hanging motionless and without physical weight he seemed to watch the slow flowing of time beneath him, thinking All I wanted was peace thinking,

Forget ideas, Mr. Author.
What kind of pen do you use?

"Two hundred Romans, and no one’s got a pen? Never mind!"

He slung his M16 onto his back and pulled out a hand grenade. There were many screaming Romans. Then the hand grenade morphed into a ballpoint pen, and Mars began to write.

Frank looked at Percy with wide eyes. He mouthed: Can your sword do grenade form?

Percy mouthed back, No. Shut up.

"Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year.

Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself.

See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all.

Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.

And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well.

The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth — SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants."

[<i>Getting Into Print</i> (<i>The Editor</i> magazine, March 1903)]

The pen is the tongue of the mind.

I like to get ten pages a day, which amounts to 2,000 words. That’s 180,000 words over a three-month span, a goodish length for a book — something in which the reader can get happily lost, if the tale is done well and stays fresh.