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I didn't mind what she called me, what anybody called me. But this was the room I had to live in. It was all I had in the way of a home. In it was everything that was mine, that had any association for me, any past, anything that took the place of a family. Not much: a few books, pictures, radio, chessmen, old letters, stuff like that. Nothing. Such as they were, they had all my memories.

And even before my brain, lingering in consideration of when things had happened and of what they had looked like, had sufficient impressions to enable it to identify the room, it, my body, would recall from each room in succession what the bed was like, where the doors were, how daylight came in at the windows, whether there was a passage outside, what I had had in my mind when I went to sleep, and had found there when I awoke.

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Every room I've lived in since I was given my own room at eleven was lined with, and usually overfull of, books. My employment in bookstores was always continuous with my private hours: shelving and alphabetizing, building shelves, and browsing — in my collection and others — in order to understand a small amount about the widest possible number of books. Such numbers of books are constantly acquired that constant culling is necessary; if I slouch in this discipline, the books erupt. I've also bricked myself in with music — vinyl records, then compact discs. My homes have been improbably information-dense, like capsules for survival of a nuclear war, or models of the interior of my own skull. That comparison — room as brain — is one I've often reached for in describing the rooms of others, but it began with the suspicion that I'd externalized my own brain, for anyone who cared to look.

As for me, I feel myself living and thinking in a room where everything is the creation and the language of lives profoundly different from mine, of a taste opposite to mine, where I find nothing of my conscious thought, where my imagination is excited by feeling itself plunged into the depths of the non-ego; I feel happy only when setting foot — on the Avenue de la Gare, on the Port, or on the Place de l'Eglise — in one of those provincial hotels with cold, long corridors where the wind from outside contends successfully with the efforts of the heating system, where the detailed geographic map of the district is still the sole ornament on the walls, where each noise helps only to make the silence appear by displacing it, where the rooms keep a musty perfume which the open air comes to wash, but does not eliminate, and which the nostrils inhale a hundred times in order to bring it to the imagination, which is enchanted with it, which has it pose like a model to try to recreate it with all the thoughts and remembrances that it contains...

Each, in its own way, was unforgettable. It would be difficult to — Rome! By all means, Rome. I will cherish my visit here in memory as long as I live.

All rooms are waiting rooms. Your room is a waiting room. You are waiting, I am waiting. Everything is getting nearer to being over.

The room of love is another world. You go there wearing no watch, watching no clock. It is the world without end, so small that two people can hold it in their arms, and yet it is bigger than world on world, for it contains the longing of all things to be together, and to be at rest together. You come together to the day's end, weary and sore, troubled and afraid. You take it all in your arms, it goes away, and there you are where giving and taking are the same, and you live a little while entirely in a gift. The words have all been said, all permissions given, and you free in the place that is the two of you together. What could be more heavenly than to have desire and satisfaction in the same room?

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