She could, at this stage of things, recognize signals like that, as the epileptic is said to — an odor, color, pure piercing grace note announcing his seizure. Afterward it is only this signal, really dross, this secular announcement, and never what is revealed during the attack, that he remembers. Oedipa wondered whether, at the end of this (if it were supposed to end), she too might not be left with only compiled memories of clues, announcements, intimations, but never the central truth itself, which must somehow each time be too bright for her memory to hold; which must always blaze out, destroying its own message irreversibly, leaving an overexposed blank when the ordinary world came back.
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Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn’t vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a letter, another lover.
"She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night."
It is remarkable how completely forgotten episodes, when touched with a word, open to the memory — at first vaguely, like the recollection of a dream, but then with increasing clarity and certitude, until at last all is again present, and one wonders how such scenes could have ever been forgotten.
It was as if she had just discovered the irreversible process. It astonished her to think that so much could be lost, even the quantity of hallucination belonging just to the sailor that the world would bear no further trace of. She knew, because she had held him, that he suffered DT’s. Behind the initials was a metaphor, a delirium tremens, a trembling unfurrowing of the mind’s plowshare. The saint whose water can light lamps, the clairvoyant whose lapse in recall is the breath of God, the true paranoid for whom all is organized in spheres joyful or threatening about the central pulse of himself, the dreamer whose puns probe ancient fetid shafts and tunnels of truth all act in the same special relevance to the word, or whatever it is the word is there, buffering, to protect us from. The act of metaphor then was a thrust at truth and a lie, depending where you were: inside, safe, or outside, lost. Oedipa did not know where she was. Trembling, unfurrowed, she slipped sidewise, screeching back across grooves of years, to hear again the earnest, high voice of her second or third collegiate love Ray Glozing bitching among “uhs” and the syncopated tonguing of a cavity, about his freshman calculus; “dt,” God help this old tattooed man, meant also a time differential, a vanishingly small instant in which change had to be confronted at last for what it was, where it could no longer disguise itself as something innocuous like an average rate; where velocity dwelled in the projectile though the projectile be frozen in midflight, where death dwelled in the cell though the cell be looked in on at its most quick. She knew that the sailor had seen worlds no other man had seen if only because there was that high magic to low puns, because DT’s must give access to dt’s of spectra beyond the known sun, music made purely of Antarctic loneliness and fright. But nothing she knew of would preserve them, or him.
A clear conscience is usually the sign of a bad memory.
A clear conscience is the sure sign of a bad memory.
The patient cannot remember the whole of what is repressed in him, and what he cannot remember may be precisely the essential part of it.. He is obliged to repeat the repressed material as a contemporary experience instead of remembering it as something in the past.
"Little by little, studying the infinite possibilities of a loss of memory, he realized that the day might come when things would be recognized by their inscriptions but that no one would remember their use.... At the beginning of the road into the swamp they put up a sign that said "Macondo" and another larger one on the main street that said "God exists"."
Suppose we received from another planet a message made up of pure facts, facts of such clarity as to be merely obvious: we wouldn't pay attention, we would hardly even notice; only a message containing something unexpressed, something doubtful and partially indecipherable, would break through the threshold of our consciousness and demand to be received and interpreted.
I’m a psychic amnesiac. I know in advance what I’ll forget.
Because who can describe the look that triggers the memory of loved ones? Who can anticipate the frown, the smile, or the misplaced lock of hair that sends a swift, undeniable signal from the past? Who can ever estimate the power of association, which is always strongest in moments of love and in memories of death?
"Nenhuma regra moral genérica pode indicar o que devemos fazer; não existem sinais outorgados no mundo. Os católicos replicarão: "Mas claro que há sinais". Admitamos, sou eu mesmo, em todo caso, que escolho o significado que eles têm. Quando eu estava preso, conheci um homem impressionante, que era jesuíta. Ele tinha entrado na ordem da seguinte forma: havia passado por uma série de infortúnios bastante dolorosos; ainda criança, seu pai foi morto, deixando-o pobre. Ele foi recebido como bolsista em uma instituição religiosa onde constantemente lhe repetiam que ele tinha sido aceito por caridade; consequentemente, ele não recebeu muitas das distinções honoríficas com que as crianças são gratificadas; depois, por volta dos dezoito anos, - coisa pueril, mas que foi a gota d'água que fez o vaso transbordar - ele foi reprovado em sua preparação militar. Portanto, esse rapaz podia achar que tudo tinha dado errado para ele; era um sinal, mas um sinal de quê? Ele podia refugiar-se na amargura ou no desespero, mas avaliou, muito habilmente para seu próprio bem, que esse era o sinal de que ele não fora feito para os triunfos seculares, e que só os êxitos da religião, da santidade e da fé é que estavam ao seu alcance. Assim, viu nisso uma mensagem divina e ingressou nas ordens. Quem não vê que a decisão do sentido do sinal foi tomada exclusivamente por ele?"
From my own childhood I remember only a handful of incidents, all of which I regarded as momentous, but which I now understand were a few events among many, which completely expunges their meaning, for how can I know that those particular episodes that lodged themselves in my mind were decisive, and not all the others of which I remember nothing?
Hippocrates wrote: “Men think epilepsy divine, merely because they do not understand it. But if they called everything divine which they do not understand, why, there would be no end of divine things.
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