What if nothing exists and we're all in somebody's dream?

In that way Vinteuil's phrase, like some theme, say, in Tristan, which represents to us also a certain acquisition of sentiment, has espoused our mortal state, had endued a vesture of humanity that was affecting enough. Its destiny was linked, for the future, with that of the human soul, of which it was one of the special, the most distinctive ornaments. Perhaps it is not-being that is the true state, and all our dream of life is without existence; but, if so, we feel that it must be that these phrases of music, these conceptions which exist in relation to our dream, are nothing either. We shall perish, but we have for our hostages these divine captives who shall follow and share our fate. And death in their company is something less bitter, less inglorious, perhaps even less certain.

Nothingness and Beingness are merely conceptions...

So if you really go the whole way and see how you feel at the prospect of vanishing forever. Have all your efforts, and all your achievements, and all your attainments turning into dust and nothingness. What is the feeling? What happens to you? That's what it's all going to come to. And for some reason or other, we are supposed to find this depressing. Do you see in a way, how that is saying: the most real state is the state of nothing? But if somebody is going to argue that the basic reality is nothingness. Where does all this come from? Obviously from nothingness. Once again you get how it looks behind your eyes. You see?

So in this way, by seeing that nothingness is the fundamental reality, and you see it's your reality. Then how can anything contaminate you? All the idea of you being scared, and put out and worried, and so on, this is nothing, it's a dream. Because you're really nothing. But this is most incredible nothing. So cheer up! You see?
The essence of your mind is intrinsically pure. Pure means clear, void.
See? If you think of this idea of nothingness as mere blankness, and you hold onto this idea of blankness then kind of grizzly about it, you haven't understood it. Nothingness is really like the nothingness of space, which contains the whole universe. All the sun and the stars and the mountains, and rivers, and the good men and bad men, and the animals, and insects, and the whole bit. All are contained in void. So out of this void comes everything and You Are IT. What else could You BE?

Nothing exists; all is a dream. God — man — the world — the sun, the moon, the wilderness of stars — a dream, all a dream; they have no existence. Nothing exists save empty space — and you!

Nothingness carries being in its heart.

Music. A meaningless acceleration in the rhythm of celestial experience.

All our language is composed of brief little dreams; and the wonderful thing is that we sometimes make of them strangely accurate and marvelously reasonable thoughts. What should we be without the help of that which does not exist? Very little. And our unoccupied minds would languish if fables, mistaken notions, abstractions, beliefs, and monsters, hypotheses, and the so-called problems of metaphysics did not people with beings and objectless images our natural depths and darkness. Myths are the souls of our actions and our loves. We cannot act without moving towards a phantom. We can love only what we create.

There is in Nothing something so majestic and so high that it is a fascination and spell to regard it. Is it not that which Mankind, after the great effort of life, at last attains, and that which alone can satisfy Mankind's desire? Is it not that which is the end of so many generations of analysis, the final word of Philosophy, and the goal of the search for reality? Is it not the very matter of our modern creed in which the great spirits of our time repose, and is it not, as it were, the culmination of their intelligence? It is indeed the sum and meaning of all around!

I must love being nothing. How horrible it would be if I were something!
I must love my nothingness, love being a nothingness. I must love with that part of the soul which is on the other side of the curtain, for the part of the soul which is perceptible to consciousness cannot love nothingness. It has a horror of it. Though it may think it loves nothingness, what it really loves is something other than nothingness.

No more to say, and nothing to weep for but the Beings in the Dream, trapped in its disappearance,

In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream

Music is everything and nothing. It is useless and no limit can be set on its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.

If everything in a dream were realistic, it would have no power over us; if everything were unreal, we would feel less involved in its pleasures and fears. Its fusion of the two is what makes it haunting.