Above, air sighs the pines. It was this way
when Rome was clanging, when Troy was being built,
when campfires lighted caves. The white butterflies dance
by the thousands in the still sunshine. Suddenly, anything
could happen to you. Your soul pulls toward the canyon.

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"Remarks on My Character

Waving a flag I retreat a long way beyond
any denial, all the way over the scorched earth,
and come into an arching grove of evasions,
onto those easy paths, one leading to another
and covered ever deeper with shade: I'll never
dare the sun again, that I can promise.

It is time to practice the shrug: "Don't count on
me." Or practice the question that drags its broken
wing over the ground and leads into the swamp
where vines trip anyone in a hurry, and a final
dark pool waits for you to stare at yourself
while shadows move closer over your shoulder.

That's my natural place; I can live where the blurred
faces peer back at me. I like the way
they blend, and no one is ever sure itself
or likely to settle in unless you scare off
the others. Afraid but so deep no one can follow,
I steal away there, holding my arms like a tree."

A Ritual to Read to Each Other

If you don’t know the kind of person I am
and I don’t know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.

For there is many a small betrayal in the mind,
a shrug that lets the fragile sequence break
sending with shouts the horrible errors of childhood
storming out to play through the broken dyke.

And as elephants parade holding each elephant’s tail,
but if one wanders the circus won’t find the park,
I call it cruel and maybe the root of all cruelty
to know what occurs but not recognize the fact.

And so I appeal to a voice, to something shadowy,
a remote important region in all who talk:
though we could fool each other, we should consider — -
lest the parade of our mutual life get lost in the dark.

For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give — -yes or no, or maybe — -
should be clear: the darkness around us is deep.

. . . On a sandbar
sunlight stretches out its limbs, or is it
a sycamore, so brazen, so clean and bold?

Literature is not a picture of life, but is a separate experience with its own kind of flow and enhancement.

"Remembering"

When there was air, when you could
breathe any day if you liked, and if you
wanted to you could run. I used to
climb those hills back of town and
follow a gully so my eyes were at ground
level and could look out through grass as the
stems
bent in their tensile way, and see snow
mountains follow along, the way distance goes.

Now I carry those days in a tiny box
wherever I go, I open the lid like this
and let the light glimpse and then glance away.
There is a sigh like my breath when I do this.
Some days I do this again and again.

William Stafford, <i>The Darkness Around Us Is Deep</i> (Harper Perennial; Paperback Original edition, January 12, 1994)

This monument is for the unknown good in our enemies. Like a picture their life began to appear: they gathered at home in the evening and sang. Above their fields they saw a new sky. A holiday came and they carried the baby to the park for a party. Sunlight surrounded them. Here we glimpse what our minds long turned away from. The great mutual blindness darkened that sunlight in the park, and the sky that was new, and the holidays. This monument says that one afternoon we stood here letting a part of our minds escape. They came back, but different. Enemy: one day we glimpsed your life. This monument is for you.

Lines to Stop Talking By

In your city today outside my room
Some quiet animal or only the rain
At its patient task was opening the wall
By touching it, and whatever was there
Spread outward a bit at a time toward the horizon
Cresting ahead and breaking, the way
All through your life whatever is near extends
When you think. In your city today
I thought of Never, hiding inside
An iceberg floating south rinsed by the days
Till that great blind ice blinks open in the center.
I heard an ambulance carry its banner away
In the rain in your city. And I thought of
My poems- how they are always there
Waiting to try for that circumference
It takes all of us to find.

We stood by the library. It was an August night. Priests and sisters of hundreds of unsaid creeds passed us going their separate pondered roads. We watched them cross under the corner light. Freights on the edge of town were carrying away flatcars of steel to be made into secret guns; we knew, being human, that they were enemy guns, and we were somehow vowed to poverty. No one stopped or looked long or held out a hand. They were following orders received from hour to hour, so many signals, all strange, from a foreign power: But tomorrow, you whispered, peace may flow over the land. At that corner in a flash of lightning we two stood; that glimpse we had will stare through the dark forever: on the poorest roads we would be walkers and beggars, toward some deathless meeting involving a crust of bread.

B.C.

The seed that met water spoke a little name.

(Great sunflowers were lording the air that day;
This was before Jesus, before Rome; that other air
Was readying our hundreds of years to say things
That rain has beat down on over broken stones
And heaped behind us in many lands.)

Quiet in the earth a drop of water came,
And the little seed spoke: “Sequoia is my name.