Walt Whitman

Not till the waters refuse to glisten for you and the leaves to rustle for you, do my words refuse to glisten and rustle for you.

Every existence has its idiom, every thing and idiom and tongue.

O madly the sea pushes upon the land,
With love, with love.

Sometimes with one I love, I fill myself with rage, for fear I effuse unreturn'd love;
But now I think there is no unreturn'd love — the pay is certain, one way or another;
(I loved a certain person ardently, and my love was not return'd;
Yet out of that, I have written these songs.)

Once I passed through a populous city imprinting my
brain for future use with its shows, architecture,
customs, traditions,
Yet now of all that city I remember only a woman I
Casually met there who detained me for love of me,
Day by day and night by night we were together — all else
Has long been forgotten by me,
I remember I say only that woman who passionately clung
To me,
Again we wander, we love, we separate again,
Again she holds me by the hand, I must not go,
I see her close beside me with silent lips sad and tremulous.

I have said that the soul is not more than the body,
And I have said that the body is not more than the soul,
And nothing, not God, is greater to one than one's self is,
And whoever walks a furlong without sympathy walks to his own
funeral drest in his shroud,
And I or you pocketless of a dime may purchase the pick of the
earth,
And to glance with an eye or show a bean in its pod confounds the
learning of all times,
And there is no trade or employment but the young man following it
may become a hero,
And there is no object so soft but it makes a hub for the wheel'd
universe,
And I say to any man or woman, Let your soul stand cool and composed
before a million universes.

And I say to mankind, Be not curious about God,
For I who am curious about each am not curious about God,
(No array of terms can say how much I am at peace about God and
about death.)

I hear and behold God in every object, yet understand God not in the
least,
Nor do I understand who there can be more wonderful than myself.

Why should I wish to see God better than this day?
I see something of God each hour of the twenty-four, and each moment
then,
In the faces of men and women I see God, and in my own face in the
glass,
I find letters from God dropt in the street, and every one is sign'd
by God's name,
And I leave them where they are, for I know that wheresoe'er I go,
Others will punctually come for ever and ever.

Or may-be one who is puzzled at me.
As if I were not puzzled at myself!

The narrowest hinge in my hand puts to scorn all machinery.

I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them, or touch any one, or rest my arm ever so lightly round his or her neck for a moment — what is this, then?
I do not ask any more delight — I swim in it, as in a sea.

Without shame the man I like knows and avows the deliciousness of his sex,
Without shame the woman I like knows and avows hers.

Oxen that rattle the yoke and chain or halt in the leafy shade, what is that you express in your eyes? It seems to me more than all the print I have read in my life.

"When I Read the Book"

When I read the book, the biography famous,
And is this then (said I) what the author calls a man's life?
And so will some one when I am dead and gone write my life?
(As if any man really knew aught of my life,
Why even I myself I often think know little or nothing of my real life,
Only a few hints, a few diffused faint clews and indirections
I seek for my own use to trace out here.)

I am the poet of the Body and I am the poet of the Soul,
The pleasures of heaven are with me and the pains of hell are with me,
The first I graft and Increase upon myself, the latter I translate into new tongue.

[The poet] is no arguer . . . he is judgment. He judges not as the judge judges but as the sun falling around a helpless thing.

With music strong I come, with my cornets and my drums,
I play not marches for accepted victors only, I play marches for
conquer'd and slain persons.

Have you heard that it was good to gain the day?
I also say it is good to fall, battles are lost in the same spirit in
which they are won.

I beat and pound for the dead,
I blow through my embouchures my loudest and gayest for them.