We die all the time to avoid being killed.
Rebecca Solnit
Born: June 24, 1961
Rebecca Solnit (born June 24, 1961) is an American writer. She has written on a variety of subjects, including feminism, the environment, politics, place, and art.
Biographical information from: Wikiquote
The self is also a creation, the principal work of your life, the crafting of which makes everyone an artist. This unfinished work of becoming ends only when you do, if then, and the consequences live on. We make ourselves and in so doing are the gods of the small universe of self and the large world of repercussions.
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The multiplication of technologies in the name of efficiency is actually eradicating free time by making it possible to maximize the time and place for production and minimize the unstructured travel time in between…Too, the rhetoric of efficiency around these technologies suggests that what cannot be quantified cannot be valued-that that vast array of pleasures which fall into the category of doing nothing in particular, of woolgathering, cloud-gazing, wandering, window-shopping, are nothing but voids to be filled by something more definite, more production, or faster-paced…I like walking because it is slow, and I suspect that the mind, like the feet, works at about three miles an hour. If this is so, then modern life is moving faster than the speed of thought or thoughtfulness.
I set out to write books, to be surrounded by generous, brilliant people, and to have great adventures.
Goodwill is something you put away like preserves, for a rainy day, for winter, for lean times, and it was moving to find that i had more than I had ever imagined. People gathered from all directions, and I was taken care of beautifully...Afterward...I occasionally wished that life was always like this, that I was always being showered with flowers and assistance and solicitousness, but you only get it when you need it. If you're lucky, you get it when you need it. To know that it was there when I needed it changed everything a little in the long run.
When you love someone a lot, they just look like love.
It’s the way some men say, “I’m not the problem” or that they shifted the conversation from actual corpses and victims as well as perpetrators to protecting the comfort level of bystander males. An exasperated woman remarked to me, “What do they want — a cookie for not hitting, raping, or threatening women?” Women are afraid of being raped and murdered all the time and sometimes that’s more important to talk about than protecting male comfort levels.
But explaining men still assume I am, in some sort of obscene impregnation metaphor, an empty vessel to be filled with their wisdom and knowledge. A Freudian would claim to know what they have and I lack, but intelligence is not situated in the crotch — even if you can write one of Virginia Woolf’s long mellifluous musical sentences about the subtle subjugation of women in the snow with your willie.
Perhaps it’s that you can’t go back in time, but you can return to the scenes of a love, of a crime, of happiness, and of a fatal decision; the places are what remain, are what you can possess, are what is immortal. They become the tangible landscape of memory, the places that made you, and in some way you too become them. They are what you can possess and in the end what possesses you.
Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake…when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains.
Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use. [ — ] [T]ime spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space — for wilderness and for public space — must be accompanied by a fight for free time to spend wandering in that space.
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They are all beasts of burden in a sense, ' Thoreau once remarked of animals, 'made to carry some portion of our thoughts.' Animals are the old language of the imagination; one of the ten thousand tragedies of their disappearance would be a silencing of this speech.
billions of women must be out there on this seven-billion-person planet being told that they are not reliable witnesses to their own lives, that the truth is not their property, now or ever.
What is armor after all but a cage that moves with you?
A woman goes walking down a thousand-mile road. Twenty minutes after she steps forth, they proclaim that she still has nine hundred ninety-nine miles to go and will never get anywhere.