John Cleese

We adored it, and discussed it, and swapped jokes from it, and it made us feel more alive. In some way, it was cathartic: it exhilarated us by lifting us up above our everyday frustrations and boredoms. It gave us a liberating perspective on this odd event unfolding around us, called 'our life.' And when, years later, I became bewildered by the reception of Monty Python by some of our looniest fans, I suddenly realised they were experiencing exactly the combination of emotions that had rendered me such a devotee of the Goons, and so I was able to forgive them.

Research has shown that constant relocation in childhood is often associated with creativity. It seems that the creative impulse is sparked by the need to reconcile contrasting views of the world. If you move home, you start living a slightly different life, so you compare it with your previous life, note the divergences and the similarities, see what you like better and what you miss, and as you do so, your mind becomes more flexible and capable of combining thoughts and ideas in new and fresh ways.

Solemnity, I don't know what it's for. I mean, what is the point of it? The two most beautiful memorial services that I've ever attended both had a lot of humor. It somehow freed us all and made the services inspiring and cathartic. But solemnity, it serves pomposity. The self important always know at some level of their consciousness that their egotism is going to be punctured by humor. That's why they see it as a threat! And so, dishonestly, they pretend that their deficiency makes their views more substantial.

Peter Sellers offered me a small part opposite him in a rather good scene where Sir Guy Grand purchases a ‘School of Rembrandt’ portrait and then cuts out the nose of it with a knife, explaining to my character (a snotty young art dealer) that he only collects noses. I, of course, have to react with horror, and I exclaim ‘Shit!’ This was quite a naughty word in 1968 – so naughty, in fact, that when, some months later, my scene was shown on television to promote the movie I became, as far as I know, the first person ever to say ‘shit’ on British television. (This, incidentally, is one of my three claims to fame: the others are that I have a species of lemur named after me, and that I was once French-kissed – on camera – by Tim Curry.)

Finally one evening somebody suggested Python (a great name for an untrustworthy impresario, I thought), someone else added Monty, which had connotations of our greatest World War II general, there was hysteria, and history was made.

Life is a terminal disease, and it is sexually transmitted.

We left the Bentley and Tim at a garage, and Alan and I travelled back to Brussels to hire a much less magnificent vehicle. When we picked Tim up the next morning, he told us that he’d spent the night in his room with a ‘bird’. Intrigued, we questioned him closely, and learned that he had been woken in the middle of the night by a strange, rather alarming noise and that when he had put the light on he had discovered a turkey vomiting on the mantelpiece. He’d thought of complaining but found that his phrase book did not cover this contingency.

We moved back to the Raffles', then back to Devon (to Horrabridge, where I saw a spider so big I could hear its footsteps).

True, there was a vague assumption that doing so would bring me closer to God, but then who was God when he was at home? And why did he keep losing it with his chosen people, when he could easily have changed his mind, and picked a more co-operative bunch?

The sour old cow gave me a sum much more difficult than any I had encountered before: say, a four-digit number divided by a three-digit number. I guessed how to do it, and got it wrong. Without offering help, she told me to do it again. I failed a second time; she warned me to try hard; I did; I failed again; and she told me to hold my hand out and, grasping it firmly, she caned the palm three times, hard. My first reaction was astonishment: none of my kindergartens had been Catholic establishments, so I was unprepared for this kind of assault. Then it hurt, a lot! My precious palm! When I first started having therapy twenty-five years later, this was one of the first traumas I recalled, and I was astonished at the power of the feelings that came flooding back: anger — no, fury; self-pity; humiliation; a deep, deep sense of hurt; and a pure indignation at not so much the unfairness, but the insanity of punishing someone physically for getting an answer wrong. It is terrifying how much of this deeply unkind, utterly pointless, in fact, mind-bogglingly COUNTERPRODUCTIVE kind of behaviour was meted out to children over the centuries by half-witted, power-crazed zombies like this heinous old bat — a large proportion of such psychopaths allegedly acting in the name of an all-loving God.

The French have so many civil wars, they can win one now and again.

The sad thing about true stupidity is that you can do absolutely nothing about it.

People are changed not by exhortations to do things but by experiences... they may be changed by experience, in a way that could never be achieved with mere good advice.

Genuinely good manners are, after all, essentially a way of moderating one’s own egotism, often in the service of considering the egos of others. Even if it’s done mainly for show, it’s still a start.

The greatest killer of creativity is interruption. It pulls your mind away from what you want to be thinking about. Research has shown that, after an interruption, it can take eight minutes for you to return to your previous state of consciousness, and up to twenty minutes to get back into a state of deep focus.