Henry James

I'm yours for ever — for ever and ever. Here I stand; I'm as firm as a rock. If you'll only trust me, how little you'll be disappointed. Be mine as I am yours.

We work in the dark — we do what we can — we give what we have.

There was a dumb misery about him that irritated her; there was a manly staying of his hand that made her heart beat faster. She felt her agitation rising, and she said to herself that she was angry in the way a woman is angry when she has been in the wrong.

Sorrow comes in great waves...but rolls over us, and though it may almost smother us, it leaves us. And we know that if it is strong, we are stronger, inasmuch as it passes and we remain.

It takes a great deal of history to produce a little literature.

Her imagination was by habit ridiculously active; when the door was not open it jumped out the window.

Try to be one of those people on whom nothing is lost.

I suspect that the age of letters is waning, for our time. It is the age of Panama Canals, of Sandra Bernhardt, of Western wheat raising, of merely material expansion. Art, form, may return, but I doubt I shall live to see them — I don't believe they are as eternal as the poets say.

New York is appalling, fantastically charmless and elaborately dire.

It was as if these depths, constantly bridged over by a structure that was firm enough in spite of its lightness and of its occasional oscillation in the somewhat vertiginous air, invited on occasion, in the interest of their nerves, a dropping of the plummet and a measurement of the abyss. A difference had been made moreover, once for all, by the fact that she had, all the while, not appeared to feel the need of rebutting his charge of an idea within her that she didn't dare express, uttered just before one of the fullest of their later discussions ended.

It is difficult to speak adequately or justly of London. It is not a pleasant place; it is not agreeable, or cheerful, or easy, or exempt from reproach. It is only magnificent. You can draw up a tremendous list of reasons why it should be insupportable. The fogs, the smoke, the dirt, the darkness, the wet, the distances, the ugliness, the brutal size of the place, the horrible numerosity of society, the manner in which this senseless bigness is fatal to amenity, to convenience, to conversation, to good manners – all this and much more you may expatiate upon. You may call it dreary, heavy, stupid, dull, inhuman, vulgar at heart and tiresome in form. [...] But these are occasional moods; and for one who takes it as I take it, London is on the whole the most possible form of life. [...] It is the biggest aggregation of human life – the most complete compendium of the world.

Things are always different than what they might be...If you wait for them to change, you will never do anything.

There are two kinds of taste in the appreciation of imaginative literature: the taste for emotions of surprise and the taste for emotions of recognition.

She feels in italics and thinks in CAPITALS.

They strike one, above all, as giving no account of themselves in any terms already consecrated by human use; to this inarticulate state they probably form, collectively, the most unprecedented of monuments; abysmal the mystery of what they think, what they feel, what they want, what they suppose themselves to be saying.