Friedrich Nietzsche

In this sense the Dionysian man resembles Hamlet: both have once looked truly into the essence of things, they have <i>gained knowledge</i>, and nausea inhibits action; for their action could not change anything in the eternal nature of things; they feel it to be ridiculous or humiliating that they should be asked to set right a world that is out of joint. Knowledge kills action; action requires the veils of illusion: that is the doctrine of Hamlet, not that cheap wisdom of Jack the Dreamer who reflects too much and, as it were, from an excess of possibilities does not get around to action. Not reflection, no — true knowledge, an insight into the horrible truth, outweighs any motive for action, both in Hamlet and in the Dionysian man.

Now no comfort avails any more; longing transcends a world after death, even the gods; existence is negated along with its glittering reflection in the gods or in an immortal beyond. Conscious of the truth he has once seen, man now sees everywhere only the horror or absurdity of existence; now he understands what is symbolic in Ophelia's fate; now he understands the wisdom of the sylvan god, Silenus: he is nauseated.

Here, when the danger to his will is greatest, <i>art</i> approaches as a saving sorceress, expert at healing. She alone knows how to turn these nauseous thoughts about the horror or absurdity of existence into notions with which one can live: these are the <i>sublime</i> as the artistic taming of the horrible, and the <i>comic</i> as the artistic discharge of the nausea of absurdity. The satyr chorus of the dithyramb is the saving deed of Greek art; faced with the intermediary world of these Dionysian companions, the feelings described here exhausted themselves.

Man is no longer an artist, he has become a work of art.

"We say it is "explanation" but it is only in "description" that we are in advance of the older stages of knowledge and science. We describe better we explain just as little as our predecessors. We have discovered a manifold succession where the naive man and investigator of older cultures saw only two things "cause" and "effect " as it was said we have perfected the conception of becoming but have not got a knowledge of what is above and behind the conception. The series of "causes" stands before us much more complete in every case we conclude that this and that must first precede in order that that other may follow - but we have not grasped anything thereby. The peculiarity for example in every chemical process seems a "miracle " the same as before just like all locomotion nobody has "explained" impulse. How could we ever explain We operate only with things which do not exist with lines surfaces bodies atoms divisible times divisible spaces - how can explanation ever be possible when we first make everything a conception our conception It is sufficient to regard science as the exactest humanizing of things that is possible we always learn to describe ourselves more accurately by describing things and their successions. Cause and effect: there is probably never any such duality in fact there is a continuum before us from which we isolate a few portions - just as we always observe a motion as isolated points and therefore do not properly see it but infer it. The abruptness with which many effects take place leads us into error it is however only an abruptness for us. There is an infinite multitude of processes in that abrupt moment which escape us. An intellect which could see cause and effect as a continuum which could see the flux of events not according to our mode of perception as things arbitrarily separated and broken - would throw aside the conception of cause and effect and would deny all conditionality."

I tell you: one must still have chaos in one, to give birth to a dancing star. I tell you: you have still chaos in you.

When virtue has slept, it will arise again all the fresher.

I am too inquisitive, too skeptical, too arrogant, to let myself be satisfied with an obvious and crass solution of things. God is such an obvious and crass solution; a solution which is a sheer indelicacy to us thinkers - at bottom He is really nothing but a coarse commandment against us: ye shall not think!

No one can draw more out of things, books included, than he already knows. A man has no ears for that to which experience has given him no access.

إذ الإنسان يفضل أن يريد اللاشيء على لأن لا يريد شيئاً

There is nothing very odd about lambs disliking birds of prey, but this is no reason for holding it against large birds of prey that they carry off lambs. And when the lambs whisper among themselves, 'These birds of prey are evil, and does this not give us a right to say that whatever of the opposite of a bird of prey must be good?', there is nothing intrinsically wrong with such an argument - though the birds of prey will look somewhat quizzically and say, 'Wehave nothing against these good lambs; in fact, we love them; nothing tastes better than a tender lamb.

To those human beings who are of any concern to me I wish suffering, desolation, sickness, ill-treatment, indignities — I wish that they should not remain unfamiliar with profound self-contempt, the torture of self-mistrust, the wretchedness of the vanquished: I have no pity for them, because I wish them the only thing that can prove today whether one is worth anything or not — that one endures.

One sticks to an opinion because he prides himself on having come to it on his own, and another because he has taken great pains to learn it and is proud to have grasped it: and so both do so out of vanity.

Tethered heart, free spirit. — If one tethers one's heart severely and imprisons it, one can give one's spirit many liberties.

Without music, life would be a mistake.. I would only believe in a God who knew how to dance.

We set no special value on the possession of a virtue until we percieve that it is entirely lacking in our adversary.

They muddy the water, to make it seem deep.