El duende is literally the goblin wind or force behind a person’s actions and creative life, including the way they walk, the sound of their voice, even the way they lift their little finger. It is a term used in flamenco dance, and is also used to describe the ability to “think” in poetic images. Among Latina curanderas who recollect story, it is understood as the ability to be filled with spirit that is more than one’s own spirit. Whether one is the artist or whether one is the watcher, listener, or reader, when el duende is present, one sees it, hears it, reads it, feels it underneath the dance, the music, the words, the art; one knows it is there. When el duende is not present, one knows that too.
Clarissa Pinkola Estés
Born: January 27, 1945
Clarissa Pinkola Estés (born January 27, 1945) is a first-generation American writer and Jungian psychoanalyst. She is the author of Women Who Run with the Wolves (1992), which remained on the New York Times bestseller list for 145 weeks and has sold over two million copies.
Biographical information from: Wikiquote
Long ago the word alone was treated as two words, all one.20 To be all one meant to be wholly one, to be in oneness, either essentially or temporarily.
To take the world into one's arms and act towards it in a soul-filled and soul-strengthening manner is a powerful act of wildish spirit.
So what compromises the Wild Woman? From the viewpoint of archetypal psychology as well as in ancient traditions, she is the female soul. Yet she is more; she is the source of the feminine. She is all that is of instinct, of the worlds both seen and hidden — she is the basis. We each receive from her a glowing cell which contains all the instincts and knowings needed for our lives. “...She is the Life/Death/Life force, she is the incubator. She is intuition, she is far-seer, she is deep listener, she is loyal heart. She encourages humans to remain multilingual; fluent in the languages of dreams, passion, and poetry. She whispers from night dreams, she leaves behind on the terrain of a woman’s soul a coarse hair and muddy footprints. These fill women with longing to find her, free her, and love her.
How does Wild Woman affect women? With her as ally, as leader, model, teacher, we see, not through two eyes, but through the eyes of intuition which is many-eyed. When we assert intuition, we are therefore like the starry night: we gaze at the world through a thousand eyes.
¿Qué es aquello que jamás puede morir?
Es aquella fuerza fiel que nace en nuestro interior, la que es más grande que nosotros, la que atrae la nueva semilla hacia los lugares abiertos, maltrechos y estériles de tal manera que pueda volver a arraigar en nosotros.
Esta fuerza, en su insistencia, en su lealtad a nosotros, en su amor por nosotros, en su acción casi siempre misteriosa, es mucho más grande, mucho más majestuosa y mucho más antigua que cualquier otra fuerza que jamás se haya conocido.
There is something waiting for us at the edge of the woods, and it is our fate to meet it.
I'll tell you right now, the doors to the world of the wild Self are few but precious. If you have a deep scar, that is the door; if you have an old, old story, that is the door.
It is good to have many personae, to make collections, sew up several, collect them as we go along in life. As we become older, with such a collection at our behest, we find we can portray any aspect of self most anytime we wish. However, at some point, most particularly as one grows into past mid-life and on into old age, one's personas shift and meld in mysterious ways. Eventually, there is a kind of 'meltdown', a loss of personae complete, thereby revealing what would, in its greatest light, be called 'the true self.
إننا جميعاً نفيض شوقاً وحنيناً إلى الحياة الوحشية. بيد أن ترياق الحضارة لا يترك لهذا الحنين منفذاً, إلا في أقل القليل. تعلمنا أن نشعر بالخجل من مثل هذه الرغبة، تركنا شعرنا يسترسل ووارينا به مشاعرنا. غير أن ظل المرأة الوحشية مازال ينسل خلفنا ويكمن في أيامنا وليالينا. وبصرف النظر عمن نكون’ فإن الظل الذي يهرول خلفنا, هو في النهاية يمشي على أربع.
Anyone close to a woman is in fact in the presence of two women; an outer being and an interior criatura, one who lives in the topside world, one who lives in the world not so easily seeable. The outer being lives by the light of day and is easily observed. She is often pragmatic, acculturated, and very human. The criatura, however, often travels to the surface from far away, often appearing and then as quickly disappearing, yet always leaving behind a feeling: something surprising, original, and knowing.
A healthy woman is much like a wolf: robust, chock-full, strong life force, life-giving, territorially aware, inventive, loyal, roving.
<u>A Prayer</u>
Refuse to fall down
If you cannot refuse to fall down,
refuse to stay down.
If you cannot refuse to stay down,
lift your heart toward heaven,
and like a hungry beggar,
ask that it be filled.
You may be pushed down.
You may be kept from rising.
But no one can keep you from lifting your heart
toward heaven
only you.
It is in the middle of misery
that so much becomes clear.
The one who says nothing good
came of this,
is not yet listening.
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She is intuition, she is far-seer, she is deep listener, she is loyal heart. She encourages humans to remain multilingual; fluent in the languages of dreams, passion, and poetry. She whispers from night dreams, she leaves behind on the terrain of a woman’s soul a coarse hair and muddy footprints. These fill women with longing to find her, free her, and love her. She is ideas, feelings, urges, and memory. She has been lost and half-forgotten for a long, long time. She is the source, the light, the night, the dark, and daybreak.
The only trust required is to know that when there is one ending there will be another beginning.