Όλα τα δάκρυα είναι εγωιστικά. Είναι η πραγματική ενσάρκωση του εγωισμού.
Andrei Tarkovsky
Born: April 4, 1932 Died: December 29, 1986
Andrei Arsenyevich Tarkovsky (Russian: Андрей Арсеньевич Тарковский) (4 April 1932 – 29 December 1986) was a Soviet and Russian filmmaker, writer, film editor, film theorist and opera director.
Biographical information from: Wikiquote
Alternative Names for Andrei Tarkovsky
Formal name - Full ceremonial or official name including titles and honorifics:
- Andrei Arsenyevich Tarkovsky (English (en))
Birth name - Original name given at birth:
- Андрей Арсеньевич Тарковский (Russian (ru))
Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken a wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own sake. What purports to be art begins to looks like an eccentric occupation for suspect characters who maintain that any personalized action is of intrinsic value simply as a display of self-will. But in an artistic creation the personality does not assert itself, it serves another, higher, and communal idea. The artist is always the servant, and is perpetually trying to pay for the gift that has been given to him as if by a miracle. Modern man, however, does not want to make any sacrifice, even though true affirmation of the self can only be expressed in sacrifice. We are gradually forgetting about this, and at the same time, inevitably, losing all sense of human calling.
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Late this evening I looked at the sky and saw the stars. I felt as if it was the first time I had ever looked at them.
I was stunned.
The stars made an extraordinary impression on me
I have always been interested in a person’s inner world. I am interested in man, for he contains a universe within himself; and in order to find expression for the idea, for the meaning of human life, there is no need to spread behind it, as it were, a canvas crowded with happenings. I wanted Nostalgia to be free of anything irrelevant or incidental that would stand in the way of my principal objective: the portrayal of someone in a state of profound alienation from the world and himself, unable to find a balance between reality and the harmony for which he longs, in a state of nostalgia provoked not only by his remoteness from home but also by a global yearning for the wholeness of existence. I wanted to pursue the theme of the “weak” man who is no fighter in terms of his outward attributes but whom I none the less see as a victor in this life.
I have always liked people who can't adapt themselves to life pragmatically.
...art must must carry man's craving for the ideal, must be an expression of his reaching out towards it; that art must give man hope and faith. And the more hopeless the world in the artist's version, the more clearly perhaps must we see the ideal that stands in opposition - otherwise life becomes impossible! Art symbolises the meaning of our existence.
What will our children be like ? A lot depends on us. But it's up to them as well. What must be alive in them is a striving for freedom. That depends on us. People who have been born into slavery find it hard to lose the habit.
Poetry is an awareness of the world, a particular way of relating to reality.
Art is a meta-language, with the help of which people try to communicate with one another; to impart information about themselves and assimilate the experience of others. Again, this has not to do with practical advantage but with realising the idea of love, the meaning of which is in sacrifice: the very antithesis of pragmatism. I simply cannot believe that an artist can ever work only for the sake of 'self-expression.' Self-expression if meaningless unless it meets with a response. For the sake of creating a spiritual bond with others it can only be an agonising process, one that involves no practical gain: ultimately it is an act of sacrifice. But surely it cannot be worth the effort merely for the sake of hearing one's own echo?
It is obvious that art cannot teach anyone anything, since in four thousand years humanity has learnt nothing at all. We should long ago have become angels had we been capable of paying attention to the experience of art, and allowing ourselves to be changed in accordance with the ideals it expresses. Art only has the capacity, through shock and catharsis, to make the human soul receptive to good. It’s ridiculous to imagine that people can be taught to be good…Art can only give food – a jolt – the occasion – for psychical experience.
He, who doesn't know why he lives, cannot feel love for people or for life itself. I don't love myself enough, so I don't love people enough. One of my major defects is impatience: I try to get rid of it, but i can't. I am not tolerant enough for my age. I suffer for this, because i can't approach people with sympathy. They annoy me.
I think a person needs to learn from childhood to find himself alone. It means to not be bored when you’re by yourself, because a person who finds himself bored when alone – as it seems to me – is in danger.
Q: What would you like to tell people?
I don’t know… I think I’d like to say only that they should learn to be alone and try to spend as much time as possible by themselves. I think one of the faults of young people today is that they try to come together around events that are noisy, almost aggressive at times. This desire to be together in order to not feel alone is an unfortunate symptom, in my opinion. Every person needs to learn from childhood how to be spend time with oneself. That doesn’t mean he should be lonely, but that he shouldn’t grow bored with himself because people who grow bored in their own company seem to me in danger, from a self-esteem point of view.
An artistic image is one that ensures its own development, its historical viability. An image is a grain, a self-evolving retroactive organism. It is a symbol of actual life, as opposed to life itself. Life contains death. An image of life, by contrast, excludes it, or else sees in it a unique potential for the affirmation of life.
Whatever it expresses — even destruction and ruin — the artistic image is by definition an embodiment of hope, it is inspired by faith.
Artistic creation is by definition a denial of death. Therefore it is
optimistic, even if in an ultimate sense the artist is tragic.
And so there can never be optimistic artists and pessimistic artists. There can only be talent and mediocrity.
I know only one thing. when i sleep, i know no fear, no, trouble no bliss. blessing on him who invented sleep. the common coin that purchases all things, the balance that levels shepherd and king, fool and wise man. there is only one bad thing about sound sleep. they say it closely resembles death.